Proximity effect

Finally Sarah Brightman and Andrea Bocelli two subtly different techniques, he is singing slightly down she is singing straight out.

To be honest I wonder just how much miking is actually going on as these calibre of singers can sing fantastically well unaided.

Sarah Brightman - voice of an angel 

You are so right of course. Here is the start  of another (challenge worthy) misunderstanding.
I don’t advocate miking instead of singing. If the singing is rotten, no mic kan save the show.
But I think that the mic is the distribution part, therefore part of the instrument.
To catch the voice in the most favorable way, you have to be aware that using a mic is a technique in itself.

Frank Sinatra was known to get really pissed at people he could hear breathing in the mic. He told repeatedly that the people (women mostly) he caught breathing in the mic didn’t have a clue about the instrument. Untill his daughter did it and then there was little comment left. He himself breathed in through the corner of his mouth.

So yes, singing is very important, but nowadays we hear nothing without a mic.
Kind regards, Gus

Look how she actually drops the mic to fit her stature too.

Check out the slight proximity effect at 1:24 when she looks down at herself as she sings the word "up". You can hear the slight tonal difference in that word as her mouth gets closer to the mic.

Good spot @Leonard Scaper and thinking about mouth shapes is important too. Check out 4mins 50 secs when she adopts a certain mouth-shape for a particular held note. We learn some of that stuff in choir singing as it can have a great impact on what comes out. Even for non-professionals like us it's worth trying singing things in different ways. Certain techniques can make for a much more controlled performance.

Hi @robertkc   … to the left of your screen below the members name in their post you'll see a heart and the bracketed text [ one karma coin for you]  … you click that.     … maybe a few times !      I like even numbers. 

Thanks @Bill from November Sound - I`ll practice on a few karma hearts!

Very cool!

@LePlongeur  - I kind of do that angled down slightly above for her most of the time already. Although that suspend from the ceiling contraption looks like a nice piece of new gear to me!   

You know @MrBouzouki  the sing across the top of it ala Sarah Brightman looks pretty cool. ( love Sarah Brightman - btw    ...) Of course here and especially with the Josh Groban this is really top quality equipment in a really top quality hall or room .....  so it might not be the best in a lousy bedroom studio. 

Hello,
Sorry to bump back up a really old thread …… I had a chance to experiment some more with this. 
That mic'ing style used on Sarah Brightman seems to be working for me @MrBouzouki @LePlongeur @Leonard Scaper  !  When recording the high, loud classical kind of stuff I tilted the mic ( a side address tube mic ) back at an angle, put it lower and had Melissa sing across the top of it. It is surrounded by one of those portable sound booth kind of things, there is a sound panel behind her and it seems to eliminate the rush of air from singing directly in.

I have been dialing my multi-pattern tube mic over toward figure 8. Not only does this let me work a little proximity effect into my performance but it also seems to do something special in the position that I have it in the room.

I have the mic pretty much in the center of my small room but I am facing into a corner that has a very good bass trap. The mic in fig. 8 is rejecting some of the side stuff and accepting sound from that bass trapped corner.

That's pretty cool @Leonard Scaper   .... I never got the hang of that figure 8 pattern thing. We have it but I've only tried it a few times. ( I think I used it like that for a live trio recording where keys and percussion were to the sides.)

That's one of the difficulties recording someone else. They may not have enough patience to keep on keeping on while I have fun adjusting the microphones. 

So back when I was asking about the high female vocals we were working on this:
https://soundcloud.com/november-love-680008043/when-there-are-no-words/
but here I put the mic up above her and tilted it down for those really high "operatic" notes  .... with limited success. If you isolate that vocal track it is a bit noisy.
I have a new one coming soon ( I hope ) where we are using the tilt back and sing across the top mic'ing style.

Nice write up Gus. I am still experimenting with this myself.

Just to let you know what I have been doing lately...well I have been singing higher harmonies slightly further away from the mic than for the main melody. I have got a dual vocal sound now that seems to work, well to my ears anyway, where the harmonies are purposely thinner. Maybe controversial!

In my last song 'Lopsided Love' I have some mock dramatic sighs in the interlude when the protagonist recounts that he has been deserted by his true love! I found this worked best really close up to the mic, and thought I had made some progress here on this subject. I could easily point you in the direction of some songs on my SC where better proximity control could have made such a difference to the overall song's success.

So great to focus on this, thanks!

Bumperdebump!!!

The best remarks are those that pop up now and then in my head and make me ‘yardstick’ the questions in question again. I can only hope you’re still with me.
And guess what? I take more distance for background singing, and I was never aware that that is what I did.

My response is more than just a little fashionably late, @MichaelA , but I thank you a lot for teaching me what I already knew.

In short: yes, that’s what I also do and I like it fine.
Thank you very much!
Kind regards, Gus